Describing Things (10 – 12)

These descriptions are a little longer. I got caught up talking about some of my favorite finds.

*

The first public school in the city was built in 1908. This one wasn’t the “endowed” school built several blocks to the east, a grand structure with a central portico and dome, where the children of wealthy white citizens attended. Nor was it “the Negro school,” constructed at the north end of the city, a big red brick box. The “public school” was somewhere in between those two extremes, both in location and style. It was three stories high and almost a perfect square, a solid and stolid building. The severe silhouette was softened by rows of arched windows, a decorative ridge along the top, and peaked dormers at regular intervals. The cream-and-burgundy color scheme, including inset brickwork delineating each level of the building, gave the massive block some architectural flair. The school was built to impress the poverty-stricken kids who attended here—both as a sense of pride, and as a reminder of what the city had bestowed upon them.

*

By the time I noticed the house, it had lost all personality. It was the same style as a thousand others built around the same time, a two-story white house with three unadorned windows lined up over an unremarkable front porch. A short, gnarled tree grew in the narrow lawn, stretching cantankerous limbs most of the length of the house. A tall pine stood nearby; almost as if in mockery of the other tree, this one had been sheered of all its branches and was now just a twenty-foot-tall stump.

The homeplace had not always been so bleak. Down the dirt driveway, past a weather-darkened shed, was a small pond and a grassy field that extended to a line of trees. It was easy to imagine a small vegetable garden behind the house, fenced off from the roaming chickens, and girl catching grasshoppers for her cat on a summer day. Like the old pine tree, though, this place had been stripped of its vibrancy. It now just awaited the inevitable end signaled by the large yellow FOR SALE sign posted in its front yard.

I took this picture in 2018. The house has now been torn down.

*

I’d seen the old house for years, every time I drove to the bank or the grocery store. It was a big house, two stories high and three rooms deep, with an extra wing on one side and outbuildings out back. A single slender chimney was set far back on the peaked tin roof; a fireplace in that position would have trouble heating such a large space, suggesting that the extensions were built once heating didn’t depend on fire.

The house was empty, but still appealing. Its siding was painted white, with light-blue trim around the windows and doors. Instead of a front door centered underneath the double-level porch, this one was set into the corner of the house, flanked by two lights and two empty flowerboxes. White ruffled curtains still hung in the glass panes.

When it was announced that the highway was expanding, I knew that the old house was doomed. I went to see it while it was still standing. I wondered if a farming family had lived here—now vanished along with any trace of farmland. Or perhaps it had been a boarding house with a motley collection of residents. I imagined a boarder coming home on a cold winter evening, shivering her way through the front door, and hurrying up stairs, down hallways, and past bedrooms to find the warmest part of the house.

As I walked along the porch, I noticed something scratched into the concrete. 9-25-53. Someone had loved the place enough to mark a date in stone. Even though I hardly knew the house, and knew nothing of the people who had lived here, I was glad I could tell it goodbye.

*

Previous posts: 1-3, 4-6, 7-9

The True Spirit of Writing

About a year ago, after giving me the bad news that my novel needed a lot more work than I expected, my editor added, “I know you know this, but it’s just a reminder — you can write just for fun. It doesn’t always have to be a big and important idea.”

Well, I shelved the novel, and found myself with nothing to write, important or otherwise. Eventually I produced the mini-collection A Bowl of Pho just to prove to myself that I really could bring a project to fruition, but it wasn’t really enough. Then I stumbled on a book that turned everything around.

It purported to be a collection of recipes transmitted to the author by ghosts. The book was transparently fiction although it claimed to be real, and all the recipes sounded like they came from the Mt. Olive Baptist Church Women’s Bible Study cookbook from Centralville, Ohio, circa. 1963. It was a terrible book and I loved it.

I’ve always been a fan of ghost stories, which is connected to my longing to be able to see and know the past. According to this book, some ghosts stayed on earth because they were attached to something and couldn’t let go. Obviously all of these stories involved recipes of some kind, but it fired up my imagination. What if a ghost was attached to a baby who had her name? What if a ghost never realized that her shift at the diner was over? What about somebody who was sure she was so essential that she had to stick around and make all the right decisions?

From that seed of an idea, a new project flourished. Not only did I write ghost stories, but I was able to put together a collection of stand-alone stories with a unifying thread that tied them together into a larger story. I’ve wanted to write this kind of thing for years, and in 2021, I did it.

In tone, they’re much closer to Go Right and A Bowl of Pho than The Fellowship. Yet I do still touch on themes of women’s empowerment, racism, and faith — not because I feel I need to, but because my stories deal with humans (both alive and dead), and those are human issues.

I’m still deciding exactly what to do with my ghost stories, but rest assured that you’ll see them in some form sooner or later. I can’t wait to share them. Not because I think it will change the world, but because they were born from the sheer joy of writing.

Found Things

I’m still emerging from the long dark tunnel of winter. It’s taking longer than usual because this year, instead of having a completed second novel as I expected, I’ve just got a shambles of a story that I have to rework from the ground up. That isn’t to say that I’m not writing at all. I have another little project in the works that I hope to say more about soon.

Meanwhile, here are a few writing-related things that have crossed my Shire lately.

By the way, I utterly despise inserting links. It’s tedious. So while I’ll link a few of these items, some of them I’ll just trust that you can cut-and-paste search terms.

Possessed by Passion. A friend, Tracy A. Ball, contributed to this collection. Full disclosure, this isn’t a genre I enjoy. Instead of finding the characters and the situations exciting, I just want to recommend counseling to everyone involved. But you might like it. Click through to the site and you’ll know instantly whether it’s the kind of thing that appeals to you. You should check it out.

Half a League Onward Press. I haven’t read This Do in Remembrance by Dave Dentel because, again, it’s not a genre I enjoy. However, Dave is a friend and I’m very excited that he’s putting his work out there. It might be something you like. You should check it out.

The Legend of Zare Caspian by Abigail Cossette is a web serial with adventure, intrigue, romance, and a “strong female character” who actually is strong and female — not just loud and obnoxious, and not just a man with boobs. While I haven’t read every episode, I have seen the behind-the-scenes work she puts into her stories. (As is possibly apparent by now, I happily support friends even when I’m not a dedicated fan of their genres.) Abigail, by the way, also does all her own artwork. You should check it out.

How Not to Write a Novel, Mittelmark and Newman. A friend sent me this book with the caution, “It’s pretty frank in places.” Well, yes. Definitely an adult audience. But said audience should enjoy the book’s ironic angle. It purports to be advice on how to remain an unpublished author, and goes through some of the best ways to derail your story. I’ve had this book for many years, so it didn’t exactly come to my attention “lately” — except that I recently cleaned up my bookshelf and rediscovered my TWO copies of it (one to lend, one to keep). It’s my favorite writing-advice book. You should check it out.

Go On Write. This is the best site I’ve found for pre-made book covers. He also does custom work—in my case, the cover to my short stories, Go Right. I drop in on the site periodically to see what new offerings he has. You should check it out.

Dominic Noble on YouTube. He’s a young Brit in California whose channel compares books-vs-movies. I found him a couple of years ago when he did a long series on Fifty Shades of Grey, which was highly entertaining, informative, and chock-full of profanity because of his passionate objection to the series. He doesn’t just take down books, though; he sometimes dedicates a video to books he loves. His appreciation of Gail Carson Levine’s Ella Enchanted — one of my all-time favorite books — convinced me that we’d get along. You should check it out.

Bad Movie YouTubers. These channels aren’t specifically related to writing, but it’s informative to discuss why some stories don’t work. That’s my excuse, anyway. The truth is that I just love a good takedown of a bad movie. Jenny Nicholson, Kennie J.D., Fanboy Flicks (Weird Movies with Mark), and Good Bad Flicks — you should check them out.

My own books. Okay, this isn’t something I just “found lately.” But maybe it’s a discovery waiting for you! I’ve written a novel, The Fellowship, and short stories, Go Right. Both are linked to the right and also under the “Writing” heading at the top. I, too, am supported by friends who very possibly haven’t read the books — but you should because they’re really good. As mentioned above, as I mourn at the graveside of my ruined second novel, I’m also working on a new project which I’ll definitely update you on. You should… well, you know by now.

Gift Ideas For Your Writer Friend Who Just Got Edited

Do you have a writer friend who has recently received feedback from a professional editor about her manuscript? You’ll know because of her stunned expression and eyes filled with silent pain. Naturally you want to support your friend through this harrowing process, but what can you do? Well, lucky for you, I’ve got ideas!

(Note: I’ll be using the pronoun “her” because English doesn’t give us a neutral pronoun. It’s just for convenience. Not because “she” who runs this site might also be undergoing said harrowing process.)

Gifts for a Writer Undergoing Editing

  1. Send her a text or email to reassure her, “You are a good writer!”
  2. Remind her of the heart of her story and why she wrote it to start with.
  3. Write her a note reassuring her, “You’re going to make something great out of this novel!”
  4. Enclose a gift card to her favorite coffee shop.
  5. Oh, wait, unless it’s 2020 and her favorite coffee shop is open for curbside service only. 2020 sucks.
  6. Make a gift basket for her, filled with writer-friendly treats like new pens, a crisp blank notebook, and a bottle of glue for her shattered ego.
  7. Play a version of Monopoly where all you do is draw Chance cards that say things like, “My editor completely misunderstood how I drew this character,” and the editor has to go directly to jail every time.
  8. Give her suction darts and a target with one big bullseye that has Editors written on it.
  9. Reassure her, “You are a good writer” by engraving it on a brass plaque and mounting it on a stone pillar next to her front door.
  10. Remind her that this is a necessary part of the process; that she’s survived it before and she will again; and didn’t she pay her editor to find everything wrong with her manuscript? And then you should run.

These are just a few ideas. Be creative! After all, your friend is throwing a big ol’ pity party for herself. You’ll have time to think of something.

A Visit from the Story Fairy

The Story Fairy bounced onto my bed. “Okay,” she gushed. “While you’re waiting for your novel to be edited, I have the best idea!”

“How much of an idea?” I asked warily. “That novel was supposed to be a novella. 70K words, not 130K.”

“No, this one is definitely shorter. It won’t take you two years. So what I’m thinking is…” She launched into a story pitch.

“Wow,” I said. “I think that will work!” I catapulted to my laptop. “I need to get this down! I might have a draft written in a month!”

“Right? I told you it wasn’t going to be as involved as the last one.”

About halfway through, however, my fevered typing slowed down. I wrote a paragraph and then deleted it. I sat back and stared at the screen. Finally, I said, “I’m stuck. Where do we go from here?”

The Story Fairy didn’t meet my gaze. “Hm? Oh. I didn’t really work out that part.”

“What do you mean that part? This is the entire second half!”

“Hey, sorry, I have to go. Other authors to inspire, you know!”

“You can’t just leave me hanging halfway through!” I shouted, but the Story Fairy was already gone.

A moment later, she stuck her head back into my room. “Um, have you considered an explosion?”

I threw my coffee cup at her.

My Protagonist Would Like to Speak with Me

My protagonist, Richmal, walked into the room and sat down. She stared at me. I stared at my laptop.

“I’m pretty busy right now,” I said finally.

“Must be nice,” she said. “We’re just just hanging around waiting for you to fix the gaping plot hole you created during this revision.”

“I’m in negotiations with a new character.”

“That’s your solution? Creating a new character? Not sure that’s a great idea.”

“Since when do you know how to write a novel?”

She crossed her arms and looked at me over her glasses. “I’m a librarian. We can find out about anything.

I blinked. “Oh. Wow, that’s a great line.” I jotted it down on the orange sticky-note next to my laptop. Richmal looked slightly mollified, but she wasn’t deflected.

“We’re all desperately bored,” she said. “The villain’s been having long, deep conversations with the hero and is starting to get uncomfortable with his role in the story.”

“Too bad. He has to stick to his character arc on the page,” I said.

“And I heard a couple of the supporting characters talking about jumping stories over to The Raven’s Landing, taking up swordplay and questing.”

“That’s a bad idea. No character of mine has the qualifications for that genre.”

“Also, speaking of character arcs, are you sure about how I decide between the two love interests?”

“What do you mean, am I sure? I’ve been writing toward that decision since the first page!”

“Well, the three of us have discussed it a lot over wine and pizza…”

“Richmal,” I interrupted, “your job is to be the story, not write it.”

“I can’t be the story if I don’t know what I’m supposed to be doing!” she snapped. “People always complain about protagonists who don’t move the story along. Well, how about authors who leave the story stagnating?”

I tightened my lips. “I leave y’all alone for a few weeks, and you fall into anarchy. Well, let me correct your misapprehensions. Nobody is stagnating anything. Allow me to introduce you to our plot-hole filler. Cecil will be happy to get the story going again.”

A man about seventy years old, with a leather coat, tall boots, and an aviator’s cap over his shoulder-length white hair, strode into the room. “Hullo, hullo!” he exclaimed. “Bit of a surprise for me to pop by, what? Glad to make your acquaintance, old girl!” He held out a gloved hand to Richmal.

She stared at him in astonishment. “Are you serious? Our genre is realistic fiction. This guy talks like a Wodehouse character.”

“Just a bit of an affectation on my part, don’t you know,” Cecil said affably.

“And he sounds like… an off-brand Cary Grant,” Richmal added.

“Oh, hey, that’s perfect!” I exclaimed, making another note on the orange paper. “Anyway, this is what we’re going with. Why don’t you two get acquainted? We’ll get this thing up and going again.”

Richmal got to her feet, still eyeing Cecil, and shook her head. “Sometimes I think you’re just making this up as you go along.”

I gave her a look over my own glasses. “Welcome,” I said, “to the world of a writer. Now if you’ll excuse me, I have a novel to finish.”

(In related news, Draft #4 is finished. No villains filed complaints, no supporting characters defected to a new genre, and Richmal is satisfied with her romantic choices. Cecil seems to be fitting in fine. It is, I hope, ready to be bundled off to my editor.)

Revision in a Time of Quarantine

Nothing like rekindling your memories of your first great literary love just as a pandemic sweeps through the world.

To be honest, my daily life hasn’t change a whole lot even as everything is canceled and shut down. We already homeschool and we already prefer to stay home as much as we can. I’m used to shopping for a week or two at the time and feeding six people all day, every day. I’d also stocked up a bit because my mother told me to. DJ is working from home for a month, so that’s been a big change for him; but it turns out that my preferred lifestyle adapts pretty well to pandemic living.

While we continue with school and take long drives when the walls start closing in, I immersed myself yet again in that original Great Literary Work of mine.

An advantage of the revision of 2007 was that the story now had a plot. A disadvantage was that for some reason I decided to lower Ria’s age from 18 to 13, and I changed the tone of the story accordingly. It was not a happy choice. Re-reading it was, as my kids would say, massive cringe.

“Most of the time, she was just plain Ria. And this morning she was a very sulky Ria.”

“She didn’t intend to apologize to him, either, once she got her revenge.”

And to think she’d complained about being bored in her Castle. What a silly little princess she’d been!

Apparently in 2007 I was temporarily possessed by the spirit of an early 20th-century Sunday school teacher.

Earlier this month, I sat down to rewrite the terrible first chapters, and then send the rest to my sister. But once I got the first part in better shape, I couldn’t leave the rest of the tripe that Miss Flossie Jones of Millerville Baptist Church, circa 1902, communicated through me.

So for the past two weeks I’ve worked my way through the story, smoothing out the dialogue, creating better conflicts, and removing the saccharine moralization.

Since I returned Ria’s age to 18, I also reintroduced the romance that Flossie seemed very uncomfortable with. I suspect it was this aspect that made me decide to lower the age in the first place. I spent my teenage years in a real-life version of the Fellowship, so even at 30 I didn’t know quite how to handle romance in fiction.

The hardest part of the rewriting was Ria herself. She was a typical first-timer’s heroine. She had no real motivation, and she spent the whole story being propelled by other people’s decisions. She was also, as a writer friend of mine put it, “insufficiently hobbied.” What did Ria like to do in her spare time? The answer appeared to be “ride horses and complain about having nothing to do.” Ria’s sister, on the other hand, is always designing clever contraptions and figuring out how things work. She would have made a far better heroine. But this is The Ria Story, so I just had to try to work with what I had.

It was a lot of work… but so much fun. I stopped worrying about the unfixable worldbuilding problems and just let the story be what it is. Yesterday I finished it and emailed it to my sister. It’s not a great story, but I think I made it into a solidly “okay” story.

And now I’m at loose ends again.

Well, unless you count my actual serious novel. I’ve left Richmal and Co. cooling their heels in the third draft for nearly two months now. I’ve been stuck on a pretty thorny plot problem. Oh, hey, here’s a message from a reader who has a suggestion! BlessedAssurance.millertownbc points out that Richmal’s story features a lot more kissing than it does Bible reading, and she would be happy to take over the writing for a while.

Get thee behind me, Flossie.

My First Great Novel

Did you hear the light, wistful strains of violins wafting about the other day? I’m sure I did, as I was looking through things in my closet and picked up a tied-up bundle of fabric. The violin theme swelled as I untied it and laid out seven square quilt blocks. I had found remnants of my very first novel.

I’d written stories since I was nine years old, but this one was different. I began it when I was sixteen, and it was the one that introduced me to intoxication of novel-writing. Characters, setting, names, dialogue, conflict, romance, resolution… I drank deeply if inexpertly.

I based the novel on several selections of the opera Carmen by Georges Bizet. I imagined a princess, Ria*, who had to flee from a burning castle, was taken in by a farmgirl and had to learn to live as a peasant, was discovered and arrested and almost executed, only to be rescued and whisked off to a hideout deep in a forest. She eventually learns that the family friend who betrayed her was in fact working to protect her — but despite his being handsome and courageous and blue-eyed, MY princess fell in love with a clever, witty, and not-really-handsome green-eyed prince. Totally subverted expectations there!

(I also subverted the expectation that the novel would have a plot. Plots are hard.)

In case anyone wondered if a sixteen-year-old created this world, it was set in a land where each of the seven provinces was named for a jewel. Because why wouldn’t they use jewel names? Can you imagine how much more interesting addresses would be if our states were named for jewels? “My address is 121 Day Street, Millertown, Peridot, USA.”

Anyway, I can’t express just how completely I was immersed in my own world. I worked on this story almost continuously for three years. I spotted people who looked like my characters. I collected rhinestone jewelry that reminded me of the provinces. I listened to music that let me pretend I was hanging out with Ria and Co. And I dragged my obliging mother and long-suffering younger sister along for the whole dang journey.

Mom taught me how to actually write, while my sister, R, sat through innumerable reading sessions and discussions of my characters. Even my young nieces caught the bug; they used to spend hours pretending to be my characters in their hidden camp. The Ria Story (because I was bad at titles) was an fixed feature of our lives during those years.

So in retrospect, it made perfect sense that R and I spent who-knows-how-long designing and sewing seven quilt blocks to illustrate a folksong that Mom and I made up to go with the story.

Here you go: the Seven Provinces (with two extra blocks for symmetry’s sake): Amber, Sapphire, Vanyth, Amethyst, Ruby, Jaize, and Emerald.

(Oh, you noticed those gemstones you’ve never heard of? Well, Jaize — Ria’s own province — was originally Jade. But “jade” has too many negative connotations in English, so I made up my own gem. And then to justify it, I changed Opal to Vanyth.)

When I re-discovered these blocks, I spent most of the day trying to remember the song that went with them. It came back in pieces — to the point that I’d be browning meat for tacos and suddenly exclaim, “A merry feast on a golden plate and Emerald’s wine in a toast!” I still haven’t remembered the first verse, or the words that go with the ring-and-book block (to my chagrin, because that ring-and-book block was Ria’s own province and therefore The Most Important One). I sent the pictures to my sister R, who remembered each piece of the song after I quoted it to her. Mom had forgotten all of it.

I revised The Ria Story heavily in about 2007, streamlining it and giving it a plot, to the point that these quilt blocks hardly make any sense now. But my sister says that she wouldn’t mind having a copy anyway, just to show her own girls what we spent so much time talking about as teenagers.

So I’m trying to polish up the fairly terrible beginning into a sort-of readable state. I doubt this new generation will fall in love with the story like I did. I’m not sure anyone can. It’s not a viable story, but it will always be my first great novel.

*My princess’s name wasn’t just Ria. It was longer than that. The ability to make up completely new names was kind of a power rush. I got a little carried away. Best to just leave it at that.**

**Okay, okay. Her whole name was Vallarenzaria. Happy now?

Meme [is a joke]

I started this post as a light commentary on a type of humor that I think is interesting from a writing point of view. But — spoilers — it just devolves into a collection of memes that I think is funny.

My kids exist in an online world where the humor is surreal and sometimes not even funny. They think it’s funny, of course, and when I point out that it isn’t, they smile indulgently at my GenXness.

But some jokes do work. There’s a particular type, which my daughter says probably originated on Twitter, that has no setup; you get the context and the punchline in the same sentence. As someone who grew up reading Reader’s Digest jokes, which spent a good twenty words setting up the punchline, these “no context” jokes fascinate me.

I culled most of these memes from our family chat. Then I came across one that was funny only if you know the one it’s based on.

This is the updog meme:

The joke (sorry, I’m explaining it, just skip this if you have to) is that you’re supposed to respond, “What’s updog?” so the first guy can say, “Not much, what’s up with you?” So really, the joke here is that all the commenters spoiled the joke.

But that brings us to… upjesus!

And while we’re here, we’ll do another Jesus joke. This one employs another internet convention I think is interesting: communicating tone by the size and type of font:

Here’s another joke that does the font thing. In internet-speak, writing in a mix of caps-and-lowercase indicates derision.

(Also, yes, I edited it because internet-speak considers the f-bomb to be either inherently funny or a word of general utility. As a writer, I find it irritatingly unnecessary most of the time.)

And lastly, a meme that isn’t no-context, or font-based, or anything else I’ve mentioned here. It’s just a funny one that my son and I quote pretty often.

And I guess this is how this post ends. It’s good for a smile on a gray February day, so you’re welcome.

Second Draft: A Group Chat

Group Name: Novel Strategy Chat

Members: Author, Protagonist, Love Interest, SubVillain

Author: Okay, welcome to this Group Chat. As we are all aware, the Second Draft of The Novel has been a pretty intense process. Thank you for your hard work. I only had to threaten explosions once to get people to cooperate, haha!

Protagonist: Explosions?

Author: Anyway, in this next section, the Protagonist faces strong opposition. I’m attaching several suggested courses of actions. Please consult your part and prepare accordingly. Let’s get this knocked out by Thanksgiving!

SubVillain: It says here that I leave an anonymous message. How do I do that? If I call her work phone, my name will show up. I can’t call her cell phone because how would I get her number — and callerID again.

Protagonist: I definitely would not give him my number.

Author: Dang.

Author: Dang cell phones.

Author: Cell phones ruin everything. Do you know how much easier it was to create mystery before caller ID?

Author: And it was simple to find a phone number, just look it up. Then you called the one line in the household, talked to somebody else in the family, and had them write down a “message from an unknown person.”

Author: Nowdays, you’ve got to create an entire subplot just for one anonymous message. Cell phones make everything harder.

Protagonist: Hey, 1991 called. It misses you.

Love Interest: Well, we think it’s 1991. Don’t have caller ID yet.

Protagonist: *high five*

SubVillain: lol

Author: Okay. So what if the call seems to come from someone the Protagonist trusts? I’m thinking from Love Interest. The villain has stolen his phone and used it to message Protagonist.

Love Interest: He got past my screen lock? He’s not that smart.

Author: Maybe you don’t lock your phone.

Love Interest: Everything you’ve written about me suggests that I am a private, skeptical person. Why would I not lock my phone?

Author: Ugh. Stupid cell phones!

Protagonist: ok genXer

SubVillain: Wait, where would I get his phone? It’s not like we hang out. And I don’t go digging in his pocket, do I?

Love Interest: If so, I quit.

Author: There is no pocket digging. Focus, please! Look, I was reading this women’s fiction thing recently. When the hero crashed into a tree, emergency personnel called the mayor about it

Protagonist: The mayor? Why the mayor?!

Author: and the mayor’s sister was the hero’s love interest so

Author: The heroine needed to know about it. This was the easiest way.

Love Interest: That whole scenario makes as much sense as that explosion you threatened me with.

Protagonist: Oh, it was you.

Love Interest: Yeah, it was either express my feelings for you, or BOOM

Protagonist: I thought things really picked up between us in this draft.

Author: People! Focus! The point is that the information transfer was successful. That’s what I’m going for here. We need this to happen. So what we’ll do

Protagonist: Let me guess. I jot my number on a piece of paper and carelessly leave it in view.

Love Interest: Or you’re going to have me take out my phone and carelessly leave it on a table, aren’t you?

SubVillain: And I’m going to happen to be around and find either the paper or the phone, and come up with an elaborate plan on the spot, right?

Love Interest: You aren’t that smart.

SubVillain: I know, right?!

Author: Okay. OKAY. Anybody got any better ideas?

SubVillain

Love Interest

Protagonist: Well, not really. That’s your job, isn’t it? We’re just here to follow orders!

Author has left the group.